Screen Shot 2018-05-01 at 8.01.01 PM.pngFoo Fighters – Concrete and Gold (Roswell Records/ RCA).

Along with my copy of the Concrete and Gold CD, a little label sticker stuck to it said, “Testing the limits of speakers everywhere.” Seriously they weren’t kidding!

After being deafened by a persistently screaming Dave Grohl and shredding guitars on Run, Make It Right and The Sky Is A Neighbourhood I found myself doing something I have never done before, I pressed the skip track button on the opening minute of La Dee Da to give my overloaded senses time to adjust.

I’m just going to say it, the Foo Fighters are one of my all time favourite modern rock bands, but my friends there is a disturbance in the force with their 9th album Concrete and Gold that would leave even Yoda scratching his head. I’m not sure I recognise this version of the Foo Fighters that I’ve grown to love over twenty years. But I guess kudos is still due to Dave and the gang for crafting a solid rock album even if there really is being nothing new explored here. Come on guys, lets be honest here!

Yet despite my reservation about it heavy rock sound, the Foo Fighters have nonetheless challenged me to reconsider my praise for them. Don’t get me wrong, I still love Run, for example, a tribute to what is great about punk rock, but the back-end of the album (thank god) is definitely a nice change, to all those loud shimmering guitars, especially Dirty Water and Happy Ever After (Zero Hour) a lovely little music-hall acoustic ditty. While Sunday Rain stands out as a favourite track, where rock ‘n’ roll royalty Paul McCartney elegantly does his things on drums. Talking about drums, Taylor Hawkins is incredible throughout the album with his equally deft touch and heavy hitting tempo. In short, Foo fighters more pleasing moments are their quieter numbers and I’m sure I will probably warm to this album in its entirety in good time, but I might wait until the ringing in my ears stops first.

Photo Credit: The header image of the Foo Fighters at Lollapalooza, Berlin, in 2017 is used under the Creative Commons Attribution 2.0 Generic license. The album artwork of Concrete and Gold is courtesy of Roswell Records/RCA. I make use of it under the rationale of fair use because no free equivalent seems to exist and it serve as the primary means of visual identification at the top of my article dedicated to the review in question. I am not the uploader of the You Tube clip embedded here.

Posted by Robert Horvat

Robert Horvat is a Melbourne based blogger. He believes that the world is round and that art is one of our most important treasures. He has seen far too many classic films and believes coffee runs through his veins. As a student of history, he favours ancient and medieval history. Music pretty much rules his life and inspires his moods. Favourite artists include The Beatles, Pearl Jam, Garbage and Lana Del Rey.

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