Missy Higgins – Solastalgia (EMI).

There are some artists who have difficulty switching between genres or they simply just often choose to stay in a particular niche because it’s most comfortable to them. Then there are those like Taylor Swift who successfully reinvent themselves, in an attempt to stay creatively inspired, and successful over a course of a potentially long career. In some respects, Missy Higgins falls in this latter group of artists, who have changed their creative life with interesting results.

For well over a decade Missy Higgins has delighted listeners with her piano and acoustic arrangements with celebrated hits like Scar and The Special Two, but her newest collection of songs which include the singles Futon Couch and Cemetery, of her fifth studio album, Solastalgia, unveil a more lush synth sound with drum loops approach arguably a reflection of her maturity as a musician and person. Lyrically Missy Higgins has approached songwriting differently here to, quite a contrast from her younger years:

“I’ve always tried to write honestly about what’s going on inside my head and that’s still the case so in a way nothing has changed”, Missy explains. “When I was a teenager I was writing songs about early heartbreaks and other stuff I was experiencing but my life’s very different now. I got married. We had a baby. My priorities have changed and my thoughts are gravitating towards different things like, well, the end of the world!” – Missy Higgins.

Solastalgia may sound like a leap of faith for an artist who cemented her career of the back of driving piano melodies but it is nonetheless most welcomed.

Photo credit: The header image and album artwork of Solastalgia is courtesy of EMI Music publicity portal. I am not the uploader of the You Tube clip embedded here.

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